It’s nearing the end of April and I haven’t made a knit top for the TAM exercise. But I did make a woven, so that will be “Miss April”.
It is almost always satisfying to go back to the Burda magazine stash. This one is from the 5/2011 issue, # 131. It’s presented as a dress, but hemline, schmemline. Mine is a tunic.
I wanted to use a cotton voile that came from Farmhouse Fabrics. This place has become one of my favorites, even though most of their inventory seems to cater to the sewing for kiddies market. They still have plenty of shirtings, cottons, and linens appropriate for grown-ups, like this teal-colored voile I found among all the baby colors. Quality has always been good there, too.
Voile is sheer, so I wanted a pattern with volume. The thinking was that all the gathers in the fabric, along with the breast pockets, would team up to mitigate the peekaboo effect. Wrong. When I got things assembled enough to try on, I realized that this would need an underlayer to be modest enough. There was enough fabric left over from the tunic to make the tank from Sewing Workshop’s Mixit pattern. Even with the two layers, the fabric is so light that the ensemble is very very cool to wear. It will be nice in the heat of summer to have something that gives coverage in the form of sleeves, but is still cool.
Some construction notes: I basically made view B but added the pockets from A, minus the flaps. Originally I was going to make the sleeve tabs, too, but they seemed out of character with the softness of the voile, so I left them off.
The first decision was about interfacing. I had white, offwhite, and gray interfacing in the stash. There was lots of showthrough and it seemed to me like self-fabric interfacing would be the best bet. Also because of the showthrough issue, I eased the dart at the side seams instead of stitching. The voile was loosely woven so easing worked OK.
Burda instructions for the placket weren’t sufficient. I’ll find better placket instructions to copy off and save with my pattern for next time.
Side seams and sleeve seams are flat-felled. The pockets and yoke are edge-stitched and topstitched. Sleeve hems were turned to the right side for a 3/4 sleeve with mock band. Since I was not going to flat fell the armscye, and also wasn’t going to mess with getting teal thread on the serger, the armscye is overcast with a machine zig-zag. I kept the wide hem of view B for weight. Gray-ish mother of pearl buttons pick up a little of the teal color.
In the photo, the neck was left unbuttoned so you can glimpse the tank top underneath. Since the tank is from the same fabric as the shirt, the placket with its multiple layers really disappears. I started with the SW Mixit tank because it is dartless, and made a few changes. From the illustration on the pattern, you wouldn’t know how high the neck of this tank actually is. Lowered it an inch. Cut out on the bias on the theory that it would hang closer to the body and not cause the overshirt to pouf out too much. Poufing is not an issue when the two are worn together. I wonder if the bias cut actually made a difference?
To simplify construction and reduce handling of the bias cut pieces, I cut the hem with a shirtail curve, enabling this zip-zop easy construction:
1. Hem back & front with a tiny baby hem.
2. Sew sides and shoulders with french seams. The raw edges of the curved hem are hidden in the french seam.
3. Bind the neckline & armscye.
Sometimes I have a little binding issue with Burda shoulders and sleeves, but this pattern is especially nice in that area, IMO. I’m really glad to have given it a try and will probably make it up again.